I use ordinary, everyday materials to create sculptural drawings. I’m drawn to functional objects, things that are usually overlooked. Even the most mundane item carries its own internal logic, which I use as an organising principle to determine how elements stack, align, repeat, or extend.
I work with systems rooted in symmetry, sequencing, and pattern, creating structures that feel ordered and deliberate while allowing subtle disruptions to emerge from the material itself. I often focus on a single material, though recently I’ve begun introducing additional materials, creating components that can be combined and reconfigured.
Temporality is central to my practice. Many works can be dismantled, remade, or adapted to different spaces. I resist the idea of a fixed or fully resolved object, preferring instead for the work to evolve over time, with each iteration opening up new possibilities.
Through repetition and accumulation, simple materials gain complexity, shifting perception. My work is informed by interests in numbers, maths, geometry, technology, and speculative or science fiction.
BIOGRAPHY
I work from my studio in Kent. In 2025, I graduated with an MA in Fine Art from City & Guilds of London Art School where I was awarded the prize for Outstanding MA Fine Art Exhibition. I gained a BA (Hons) in Fine Art from the University of the Creative Arts (UCA) in 2013. Following my degree show, I was one of seven artists selected for the prestigious Platform Graduate Showcase at Turner Contemporary in Margate. In 2019, I was honoured to receive The London Group's President’s Prize, which led to a three-person exhibition at The Cello Factory in London.
I am a co-founder and member of Filaments Art Collective, a group of five artists based in Kent. Together, we curate an annual light-based art show in the historic St Mary’s Church in Burham, near Rochester. We work closely with local art organisations and have received several commissions as we continue to expand our collaborative practice.